New work at Sydney College of the Arts Postgraduate Show

Andrew Newman is exhibiting the new video installation ‘ I um you I ah you I er you’ as part of his Masters examination exhibition at the Sydney College of the Arts. The work is a three-channel video installation that incorporates the colour and tonal alphabet that Newman has been developing. The work is in essence a composition of music and colour, a 21st century televisual colour organ, drawing influence from the colour/music experiments of eighteenth century scientist, Louis-Bertrand Castel, and his ocular harpsichord. Newman also expands upon William Burroughs proposition that we detach ourselves from word forms through substituting words and letters with other modes of expression, such as colour.

Newman, in this work, also contemplates love, and his theory of Pothos, where love, because it is shaped by language, is distinguished by absence. Newman believes we use language to mediate the distance between ourselves and the other. He defines this state of being as Pothos, a state where, instead of connecting to the other by touch, we attempt to connect by language.


About

Andrew Newman is an artist and researcher. His performative art practice poetically utilises methodologies from the communication sciences to examine value construction in contemporary culture. He is currently researching the application of Joseph Beuys’ concept of social sculpture to economic markets and is exploring the existential elements of the economic theory of Andre Gorz.

Newman completed a MFA under Ryszard Dabek and John Conomos at the Sydney College of the Arts, exploring the application of Roland Barthe’s notion of pothos, the desire for the absent being, to televisual art practice. He has studied experimental media under German filmmaker Karl Kels at the Universität der Künste, Berlin and journalism and communication at the University of Technology in Sydney and the University of Hamburg. He has had his work exhibited in Sydney, Berlin and Tokyo.

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