Mediating Pothos

Mediating Pothos is a dissertation written in 2008 for the Master of Visual Art at the Sydney College of the Arts.

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Abstract

Love,  because  it  is  shaped  by  language,  is  distinguished  by  absence.  We  use language  to  mediate  the  distance  between  ourselves  and  the  other.  I  define  this state  of  being  as  Pothos,  a  state  where,  instead  of  connecting  to  the  other  by touch,  we  attempt  to  connect  by  language.  The  televisual  embodies  Pothos.  It forestalls  the  embrace  by  creating  an  experience  where  things  are neither  near or at a distance. Video artists inhabit the televisual space to participate with the other,  to  participate  in  the  imaginary  void  that  is  shaped  by  language.  The  silent exchange  between  the  artist  and  viewer,  where  there  is  an  invisible  interplay  of meaning,  is  much  like  a  lover’s  exchange.  I  propose  that  the  artist  through utilising language does so to create a void where such exchanges can take place. I propose that the artist mediates Pothos.


About

Andrew Newman is an artist and researcher. His performative art practice poetically utilises methodologies from the communication sciences to examine value construction in contemporary culture. He is currently researching the application of Joseph Beuys’ concept of social sculpture to economic markets and is exploring the existential elements of the economic theory of Andre Gorz.

Newman completed a MFA under Ryszard Dabek and John Conomos at the Sydney College of the Arts, exploring the application of Roland Barthe’s notion of pothos, the desire for the absent being, to televisual art practice. He has studied experimental media under German filmmaker Karl Kels at the Universität der Künste, Berlin and journalism and communication at the University of Technology in Sydney and the University of Hamburg. He has had his work exhibited in Sydney, Berlin and Tokyo.

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