‘Map / Ground / Grain’ exhibition at Inflight, Hobart

Andrew Newman is exhibiting work from his new series ‘Grounded’ at the exhibition ‘Map / Ground / Grain’ at Inflight Gallery in Hobart from July 31 until August 22. The exhibition examines “how in quantum physics (the science of the sub-nanoscopic) everything that we know to be true in our world breaks down at a miniscule level. This comparability to ‘our’ level, however, may be just a comforting myth – a way to rationalise a universe that is comprised of entities both a billion times bigger and smaller than ourselves.” The exhibition also features the work of Ryszard Dabek, Laura McLean and Greg Shapley.

In ‘Grounded,’ Newman revisits ground where he has made love, collecting samples, hoping to find remnants of her body and remnants of his. Newman documents the work with large scale photographs of the dirt lifted from the ground.

Andrew Newman, 'In the backyard. Underneath the wattle tree my brother planted. Out of sight from the window of the kitchen, where my mother was drinking wine. She wore fuchsia pink underpants. I would pluck clumps of grass out as we spoke. Afterwards her back was pink and had the impression of a Pollock painting.' LAMDA print, 125cm x 125cm, 2009

Andrew Newman, 'In the backyard. Underneath the wattle tree my brother planted. Out of sight from the window of the kitchen, where my mother was drinking wine. She wore fuchsia pink underpants. I would pluck clumps of grass out as we spoke. Afterwards her back was pink and had the impression of a Pollock painting.' LAMDA print, 125cm x 125cm, 2009


About

Andrew Newman is an artist and researcher. His performative art practice poetically utilises methodologies from the communication sciences to examine value construction in contemporary culture. He is currently researching the application of Joseph Beuys’ concept of social sculpture to economic markets and is exploring the existential elements of the economic theory of Andre Gorz.

Newman completed a MFA under Ryszard Dabek and John Conomos at the Sydney College of the Arts, exploring the application of Roland Barthe’s notion of pothos, the desire for the absent being, to televisual art practice. He has studied experimental media under German filmmaker Karl Kels at the Universität der Künste, Berlin and journalism and communication at the University of Technology in Sydney and the University of Hamburg. He has had his work exhibited in Sydney, Berlin and Tokyo.

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